There is nothing I like better than those reports in which the show's producers fucks two artists from different disciplines and unite them for a certain period of time. Tracking conversations in such meetings are often the most interesting, getting different views range from the art world to analyze their role in the media circus (and public). I still remember the love he professed for "Iconoclasts," a Sundance Channel show that aired for five long years (2005 - 2010) and was attended meetings of artists including Ron Howard and Steve Nash, Venus Williams and Wyclef Jean or Today our protagonists: Fiona Apple and Quentin Tarantino.
I'm a big fan of chapter starring the creator of "The Idler Wheel ..." and director of "Pulp Fiction". Both were known for some time (in fact girlfriend Fiona was Paul Thomas Anderson, one of the best friends of Quentin) and that led them to maintain a very good friendship over a period of their lives. After several years without seeing, Tarantino and Fiona return to match the occasion of the program, causing all sorts of getting the most endearing moments.
More than anecdotes, or mere nonsense, as discussed in the video, I'm definitely with deep converse between them on the status of artists, the reason for the alleged consequences (second albums, second movies ) and contamination in the music and film industry. It is with stories so one discovers true fanaticism that the director of "Reservoir Dogs" feels for his films (at least for the first), and the emotional impulse that led always to Fiona Apple to show their feelings in front of a piano .
I may not like the singing style of Fiona Apple, or the frantic way of directing by Quentin Tarantino. Even so I highly recommend you to try to see the report, and if you are interested in the art world. Because more than the work of sound XX or YY, "Iconoclasts" is about how to generate works, and how to understand them from the point of view of who produced them.
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